Having torn through both The Island and The Return, I was excited to discover that Victoria Hislop had a third novel coming out – this time called The Thread. Hislop excels in conveying a tangible sense of place and is a born storyteller. So enthralled was I with the cobbled streets of Granada and the heady dancing in Hislop’s second novel that I took up salsa soon after. And having thoroughly enjoyed her two previous novels I had high hopes for her third.
Not dissimilar to both The Island and The Return, Hislop’s latest offering interweaves two different time frames; one set in the present day; the other in 1917, with the plot concentrating primarily on the earlier of the two. In 1917 a devastating fire tears through Greece’s second city Thessalonki, a place where Muslims, Christians and Jews have lived side by side in harmony for years.
The Thread is an apt name for a novel which cleverly weaves a story of race, religion and war using a colourful cast of characters. With a fire, WW1 and serious civil unrest plaguing the streets of Greece, the tale is poignant, and at times harrowing as the effects of such turbulence take their toll on the city’s people. But underneath such tragedy, we witness a love story unfolding between the novel’s two protagonists: wealthy Dimintri Komninos and refuge Katerina who has built a reputation as Thessalonki’s most skilled seamstress.
Ultimately a tale of love and of loss, The Thread further cements Hislop’s status as a skilled storyteller, who has an unrivalled ability to craft a beautifully engaging plot alongside a real and devastating history.